The Boy

Lauren Cohan is nice to look at, and she obviously knows how to act. That’s about the end of the list of positives. There was nothing to build atmosphere from, Ben Robson as Cole was pitifully unconvincing, the script was dull and worn-out, and the doll wasn't scary (it doesn’t even begin to compare with the baby from Toy Story 3). Shortly before the end, the film turned into Friday the 13th. Finally, there was a twist – the ending was missing. Truly unconventional. Like a joke without a punchline. (22/08/2016)

A modernist blend of gothic horror, ghostly clichés and dozens of genre references. It certainly doesn't offend, and formally it's quite easily in a higher league (although the house itself looks more like a cosy fairytale palace than a haunted mansion with the suffix -ville in its name), but in terms of the level of experience, content manipulation or atmospheric build-up, the film is weak and bland. In the first hour, we witness a likeable attempt at a few novel scares and an original story that promises a great twist, but the fear of what is to come fails to escalate and the twist, which comes out of nowhere, degrades (though in someone else's eyes, perhaps shifts) the script into the realms of exemplary B-movie and multi-genre pathos. I won't spoil it, but such a character transformation of the whole narrative, although I'm generally not opposed to such an approach, doesn't fit well and felt like a kick in the groin. The most positive element in my eyes is the presence of the fine, lovely Lauren Cohan, who looks as good scared to death as after a hot shower in a tight towel. (25/02/2016)

At its core, this movie is a ghost story, upgraded in the end by one half-forgotten old flick by Wes Craven (saying which one would be a major spoiler). The ending, which is intended to take your breath away, however, is unfortunately less effective than all the mysterious ghost storytelling before it. The girl in the leading role is pretty, though. (10/03/2016)

"The Boy" is simply a nice, average horror that came from the United States in some co-production. It tries to scare a bit, it tries for some mild originality, but in the second half, it's not strong enough to become a truly great horror. Instead, it is just a good average that won't offend you and that you will probably enjoy more in the cinema than if you watched it on television. (02/05/2016)

The Boy lured me to the cinema primarily through its decent trailer, which piqued my interest in seeing the film on the big screen. For starters, I have to say that it’s the first time that in the first 20 minutes of a horror movie I figured out the twist, which was more or less fulfilled in the end, but I don't take that as a flaw because I still find the final denouement to be good and even original to a certain extent. I must add, however, that despite the fact that I got a few genuine goosebumps, I was perhaps expecting a bit more of a dense atmosphere. The interior of the house and the look of the puppets were good and the cast was likeable. A horror film that stays slightly above average, helped mainly by the premise and the solid production design. (02/03/2016)