The Hunt

A controversial fun satire that is a mix of Hunger Games and Hide and Seek! Finally, after a long time, a solid exploitation flick that gets going from the first minute and thankfully doesn't skimp on the gore. It sucks that within the first 15 minutes, the victims get a lot of sorting out, which I personally would have chosen otherwise, but so be it. Betty Gilpin may not be the best actress, but she's very confident in action, she doesn't fuck around, and the grittiness makes you trust her; and she can be sexy. It may be a B-movie at its core but it manages to surprise with entertaining twists and turns, where at times you have no idea who is the hunter and who is the prey, and this play with the viewer works quite well. The best though is the very final cat fight with Hilary Swank, which is the best female fight I've seen in a long time. The logic does falter, but there is decent action. Very entertaining, controversial, with a dose of dark humour and just enough violence. Out of five people, two left the theater, but I had fun. Story***, Action****, Humor***, Violence****, Entertainment****,Music***, Visual***, Atmosphere****. 7/10. (14/03/2020)

I have no idea why horror is listed as one of the film's genres. Black comedy fits much better. Anyway, I had fun while wading through all that blood, and I don't care what it says about me. After all, when the Americans are able to make fun of all their taboo topics once every ten years, I’m ecstatic about how different it is from the constantly celebrated patriotism, riding on a giant wave of pathos. What's more, I loved Crystal’s approach, and I still have to think about how frustrating it must be when you're talking to someone whose head (or at least a substantial part of it) is gone all of a sudden. The film definitely deserves to have a higher rating. (30/05/2020)

The Hunt is cross-genre bullshit that aims to please by going against the grain, but it ends up being just an action-revenge B-movie with comical brutality. However, the actress in the lead role is uniquely atypical. The most typical genre characters deliberately come in with a roar in the first few minutes so that the film is surprising in its exposition, setting the viewer up for a fresh experience, which may or may not suit you. (29/07/2020)

The Hunt is an American production that is simply average mainstream entertainment in the guise of a horror movie. The movie is above average because it has quite an original narrative and the actors are directed really well. I think this will be a cult film hardcore fans will watch at least once a year. (08/04/2020)

I'm pretty convinced that the scariest word of the 21st century will be 'satire'. There are bad scripts, and then there are scripts that are also bad but try to convince us that they are not by pointing out how aware they are of the genre rules they are not afraid to knowingly break. When you then combine this insufferable arrogance with an ironic statement about contemporary society, you'd have to be a real genius to get anything out of it other than a painfully spasmodic rant where even the script must have been written on Twitter, complete with hashtags. And it's probably not worth mentioning that Zobel is no genius. Aside from the final, surprisingly well done and distinctive fight scenes, it's mind-numbingly boringly shot in a typical Blumhouse production where everyone is wearing clean pressed clothes, the set is full of obviously artificial objects, and when he tries to shock, he does it with the aid of laughably digital blood. Lindelof is a filmmaker who based his entire screenwriting career on trying to emulate Joss Whedon, the king of bullshit genre self-reflections (God how I hate them), but didn't have enough talent to pull it off. Now he's just trying to make a buck off of the social and cultural internet wars, where he's trying to prove his ability to balance on a spectrum of opinion that’s pathetic. Plus, when you subtract the context from the film, notice how each scene is completely nonsensically constructed, how people behave in it, and what moves the plot along. This movie is sloppy AF. Too bad for Betty Gilpin, who the whole time gives the impression of either not being able to believe what just came out of her mouth or that somebody else is strung up in her face. She's actually quite funny when it comes to that. Like, for real. (22/08/2020)