Martin Eden

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The sailor, Martin Eden (Luca Marinelli), descends from Naples, working class, but his fate is changed forever when he defends a young boy from a beating by a security guard on the docks. The boy repays him for his kindness by inviting him into his bourgeois home, and it is there that Eden meets Elena (Jessica Cressy), the daughter of an upper-crust industrial family. It is love at first sight for Eden. He resolves to become an accomplished writer to elevate himself to the family’s social standing and eventually marry her. He proves himself quickly as an autodidact, but grapples with social politics. His pursuit of his individual success is in conflict with his humble origins and the proletariat’s cause. Left-wing journalist, Russ Brissenden (Carlo Cecchi), guides him deeper into socialist circles, resulting not only in a political reawakening and destructive anxiety, but also to a severing with Elena and her elite world. (New Wave Films)

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Matty 

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English Jack London’s novel of the same name, which tells the story of a young sailor on the path to becoming a writer, was set in Oakland at the beginning of the 20th century. In this original film adaptation by Italian painter and filmmaker Pietro Marcello, the setting is the Neapolitan shoreline and the story’s timeframe cannot be precisely determined due to a number of anachronisms. Archival shots in sepia tones, the characters’ modest way of life and costumes evoke an era that came before television screens and the songs used in the film. The collage style of storytelling is similarly untethered, as it combines elements of romanticising melodramas, ethnographic documentaries and avant-garde cinema. The variability of the film reflects the protagonist’s development, which is not viewed from one perspective, but on the basis of his current state of mind and life experiences, which makes Martin Eden a very refreshing work in the context of period dramas and adaptations of classic literature. 85% ()

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