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Time travelers arrive from 2051 to deliver an urgent message: 30 years in the future mankind is losing a war against a deadly alien species. The only hope for survival is for soldiers and civilians to be transported to the future and join the fight. Determined to save the world for his daughter, Dan Forester teams up with a brilliant scientist and his estranged father to rewrite the planet’s fate. (Prime Video)

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Reviews (10)

POMO 

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English The Tomorrow War is pure guyish pleasure, an enthusiastic B-movie packed with everything that we love about the action sci-fi genre. Human characters with sincere, emotionally charged relationships, unpredictable and richly escalating plot development, set in an attractive fantasy world, with delicately brisk action and well-made repulsive aliens. Cleverly written and directed with heart, cunningly hiding its art behind a false mask of cheap trashiness, this is the best Emmerich movie without Emmerich. ()

Goldbeater 

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English The Tomorrow War tries to bring a flashy science fiction story with gritty action scenes, strong family drama and a heavy dose of explanatory scenes to the television screen, however, it does none of it consistently, originally or memorably. The next day, after watching it, the only thing that sticks in your mind is that it was fairly paced and sort of OK, if you can get past the rushedness and the many really stupid tropes. All in all, it is just a rehash of many things you have already seen in other movies where they were much more skillfully executed, (especially the recent Edge of Tomorrow, whose finale is blatantly copied in this movie), and is unfortunately just a superficial, big-budget TV movie. ()

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Kaka 

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English In the first minutes, it looks like an original hybrid of Edge of Tomorrow, Independence Day and some post-apocalypse flick, but in the final reckoning, it's at most an upgraded Battle Los Angeles, and even that I'd rank higher due to the important factor of "great value for money", which definitely doesn't apply to Amazon's creation. That said, the visual effects sequences are fantastic, likewise with the design of the aliens. This being the main reason to watch Tomorrow War, because the script is a patchwork full of illogical moments and clichés, and the casting is also not good. Star Lord shouldn't get too involved in serious roles, because he’s fine when he’s wisecracking, but when the tone gets more serious, he is not so good. ()

MrHlad 

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English The trailers didn't do this action sci-fi flick a good service, and even when The Tomorrow War went straight to stream, you kind of assumed that you weren't going to be treated to a quality show. But it turned out unexpectedly well this time. The Tomorrow War is far from perfect, but the two and a quarter hours in front of the TV pass pleasantly quickly. They may be quite blatantly ripping off Edge of Tomorrow, Terminator, Alien, or even The Thing, but who could be mad at them for looking to the best for inspiration? Moreover, after a slow start, Chris McKay hits the gas hard and showers the audience with one action scene after another. In doing so, he makes sure not to dumb down the style and the setting, so after intense fights in the city and one not-quite-successful hunting trip, there's a spectacular shootout that would have been quite fitting for the big screen, and the whole thing is finished off a little differently. And it paces the whole thing well enough for one to overlook that it's pretty much just plain. Chris Pratt may play Star-Lord at first, but once the serious stuff starts happening he puts on a serious face and is quite good at it. The designers went truly bonkers with the monsters and I find myself wanting to watch a few scenes again a few hours after the closing credits. Who would have expected that after the crappy trailers? ()

Necrotongue 

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English A strange film indeed. Its better parts felt like a thrilling video game I wished I could control. However, this lack of control took away from the overall impression. The weaker moments felt purely American, with a handful of individuals saving the world in typical fashion, the team composition changing based on current trends. In these weaker moments (well, more than moments...), there was an excess of melodrama and flying over Russia on board a Hercules aircraft. The 90s have long passed, yet here we are, with Americans still saving the world just like they did back then. It's getting a bit repetitive. However, I did appreciate seeing Yvonne Strahovski and Betty Gilpin again, which added a certain spark to the experience. ()

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