Unhinged

An offended fatty against the impolite world… To be perfectly honest from the very start, without Oscar-winner Russell Crowe, this film would be complete trash. With Russell, who sets men on fire, kicks women and strangles children, it’s quite entertaining. Because it’s not too long, the film flows easily and I spent most of the time thinking up different alternative plots that would be more original. And asking questions… Couldn’t the mom have been less nice? Couldn’t Borte film the car chases dynamically and play around a bit with paranoia? Why the heck did Russell agree to do this? (23/10/2020)

Already at the outset, Unhinged grabs the viewer's attention with a stark but incisive overview of the state of crime and society in the US, a land of unlimited possibilities but limited people. After a brief prologue and introduction to the characters, what follows is pure thriller action, where at times you just stare at the screen in disbelief and outrage, with pissed off thoughts running through your head, wondering if something like this is the order of the day (in America). Russell Crowe inhabits the role of a psychopathic asshole who needs really little to piss him off in a chillingly convincing way, and I was definitely not rooting for him and I wished him nothing but the worst possible ending. Whether Unhinged is a realistic reflection of American society I cannot judge, as I don't live there, but even if it is a universal image, I was indeed impressed. All I missed was perhaps a little more background on Russell's character. (13/09/2020)

A decent theme, which did not turn out exactly as I’d imagined. I was especially pleased with the performance of Russell Crowe, who easily convinced me he had the weight of a slaughter pig. The story was nicely paced, I felt entertained the whole time, but as time went on, I was increasingly annoyed by logic holes. I didn't really understand the idleness of the police. There was also another 110-pound female version of T-800, who was unstoppable, even by a hydraulic press. If the screenwriter had made a more honest effort, I wouldn’t mind giving it a higher rating. (20/11/2020)

A straightforwardly paced genre film that would like to stand alongside similarly focused cult films in the vein of Duel or The Hitcher, but it's too routine a see-it-and-forget-it B-movie for that. If it wasn't for the impressively disturbing Crowe, who pulls the whole thing off despite all the incongruities (and there are many) and the unlikeable clowns that the viewer is supposed to root for, it wouldn't even be worth paying attention to. PS: It is a pity that Hauer is no longer alive, there could have been a duet "how the Driver picks up the Hitchhiker". (18/11/2020)

Gosh, all the fat Crowe jokes have all been picked over. As for the film itself, it's a scattershot compilation of themes revolving around behavior behind the wheel, the problems associated with communications technology, the obligatory turning from the victim into the hunter, and the changing times that leave some people behind. It's all terribly superficial though, as often the characters are punished pointlessly by the film (the woman painting her eyes in the car couldn't have prevented the fatal accident anyway), we don't really learn anything about the background of the antagonist who tries to capture attention for a while like a latter-day D-Fens, and the whole line about how easily we can be tracked through a communication device falls flat as no one is able to track down the villain, who makes no effort not to be tracked down, throughout his killing spree. Unfortunately, as a god-awful thriller, it doesn't really work either, as the film tries several times to convince us that John Goodman can sneak up on someone quietly from behind, no one in the convoy notices when another car repeatedly crashes into the car next to it, and it's also so poorly edited that at times it feels like the film is getting rid of some content at the last minute. And the car chases are cut in the same mode over and over again A (shot of the heroine's car), B (shot of the heroine in the car), C (shot of the antagonist's car), D (shot of the antagonist in the car). (13/12/2020)