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In the cold winter of 1918, Tomás, a young man who works doing post-mortem photography, ends up in a small Hungarian village. The strange nocturnal sounds, the hostility, the mysterious deaths and the somber figures that appear in his photographs all urge him to leave as soon as possible. But Tomás returns to the village to investigate the ghosts’ intentions and find a way to get rid of them. (Sitges Film Festival)

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Necrotongue 

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English The Hungarians have once again delivered, this time with a quality ghost story that immerses you in a fantastically gloomy and oppressive atmosphere. What stood out to me was the absence of cheap jump scares; instead, the creators crafted a cohesive narrative that slowly builds up the tension. Post-mortem photographs have made their mark in horror films like The Others, but the Hungarians took this concept further. Unlike typical Western ghost horror movies with a group of paranormal experts, this story was set in the Hungarian countryside shortly after the end of the Great War. It was morbidly refreshing to see the returnees from the afterworld fight against an elusive enemy. I found myself thoroughly entertained throughout, though towards the end, I felt the creators rushed things a bit. The story deserved a more elaborate conclusion. And poor Marcsa, such high hopes... / Lesson learned: Be cautious of unstable ground. ()

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